And Finally…Phil Collins
Technical Rider
Current as of 22 February 2012

Artist Management Team	Technical / Sound / Lighting Manger
Caroline Morgan - Show Manager : 07930 374498 Email: caroline.morgan21@googlemail.com Tim Harper - Show Producer : 01305 833 278	Mike Hallett : 07545 425 358 Email: mikehallett@live.co.uk

 

SOUND REQUIREMENTS

Introduction
            The following sound specification is based on the technical requirements of the artists own PA (where used).  If you have any problems, or if any of the items listed below will not be available, please contact our Sound Control Manager named above us as soon as possible at least 1 month prior to the event.  (Please note discussions between artist Sound Control Manager and Venue Technical Manager will have taken place immediately following / prior to agreement of artists’ performance at venue with your Operations Manager (or similar) to ensure technical arrangement can be achieved).

            Please also look at our web page, www.andfinally-philcollins.co.uk as the technical rider is regularly updated, whereas if you have a paper rider supplied many months before the event it can be out of date.

 

TECH REQUIREMENTS FOR ARTISTS OWN PA:
·         Power for the FOH and stage monitor system needs to be either from 32 amp single phase, or from double sockets on 30amp mains ring circuit.  This power needs to be available at or near the amp rack, behind speaker stack on same side as the multi core reel will be fed from.  (We have extensions for both 32amp Ceeform or 13/16amp lines if needed)

• A third 16/13 amp socket ON THE SAME MAINS POWER PHASE is required for the backline

·         The multi-core length is 45m maximum, and includes a mains supply derived from the amp rack.  

·         FOH mix position should be a flat floor area of approximately 2.1 metres width by 1.5 metres depth, and ideally positioned centred of the L & R speakers, about halfway between front and rear of the house, forming an equilateral triangle, with the speaker enclosures and the mix position at the apexes, with line-of-sight between speakers and control position.  In the event that venue is only able to supply a flat table (such as over fixed seating) the floor standing 19” rack must be able to sit either side of the desk position (at 90 degrees to the mixing desk).  A stool or chair should also be provided for operator.

      The position of the sound console is of utmost importance, and control rooms, booths etc., are unacceptable for this purpose.  

·         FOH loudspeakers are EAW KF750 series....positioned either on or off stage depending on projection angles.  We also use a centre fill when needed on wider stages which sits on a platform directly in front of the stage.

Equipment and Personnel

Arrival Times
Band Load in:  1:00 pm (or as arranged)
Band:               3:00 pm approx
Soundcheck:    4:00 - 6:00 pm
Meal Break:     6:00 pm (approx)
Doors Open:    Show Time minus ½hr

Parking
Parking should be provided at no cost to artist or crew.  Travel arrangements are usually 2 x double wheelbase Van; 1 x people mover; five cars, and 1 Motorcycle.

Recording
Artist reserve the right to film / record / photograph the show for reference purposes.

Dressing Rooms
In addition to the Green Room, where food and drinks as specified below should be, at least three other dressing rooms are required to accommodate 12 people, one of which should be large enough for six people.  They should be provided with comfortable chairs, clean towels, soap, mirrors, adequate lighting and include either en-suite WC facilities or at least separate Male / Female compartments that are not open to the public.

Catering
The following is to be provided in the Green Room and available on arrival.  Potable drinking water; electric kettle; 12 x 500ml bottles of still drinking water.
Room to be of sufficient size to accommodate 16 people for refreshments including chairs and tables. 
Space is also required for food preparation area with hot running water. 

Food, Tea bags, coffee, milk & sugar will be supplied by artists, including eating and drinking utensils.

Security
Please ensure at all times that the stage area, dressing rooms and sound control positions are off limits to the general public and secure.  All entourage of And Finally wear access tour badges as means of identification. 

Complimentary tickets
Venue to make available up to 15 complimentary tickets (when requested) for artist’s sole use.

Venue shall have the right to distribute 6 tickets for use to media, sponsors, and other promotional needs, details of such tickets to be provided to Artists.  These tickets do not include those set aside for artist requirements.  No other complimentary tickets are to be issued or distributed without express written permission of the artist.

Merchandise
Artist shall have the sole and exclusive right, but not the obligation to sell souvenir merchandise carrying Artist’s name (i.e., t-shirts, hats, jackets, etc.), including Compact Discs in connection with and at the performance, and the receipts there from shall belong exclusively to the Artist.

SHOW RUNNING TIME
Set 1    : 1hour
Interval : 20 mins
Set 2    : 1 hour

 

And Finally…Phil Collins
Technical Rider

Stage footprint and risers
Current as of 22 February 2012

 

Scenery / Backdrop Requirements - Both Sides Tour 2012
Current as of 22 February 2012

1. BACKDROP (Artist / Theatre)
Attach Artist backdrop (7m wide x 4.5m drop) centrally to bar via tapes fixed to upper edges.  Theatre to provide additional 2 end fills (plain black coloured cloth minimum 4.5m drop) and hung either side of Artists backdrop to accommodate full stage width as necessary.   
Min 600mm, Max 900mm from CYC wall.
Lower edge weighted in hem of backdrop 2 / 38mm mild steel tubes.
Timber shed door supplied by Artist and fitted centrally supported by Artists own French braces, stage weights to base of braces (Theatre).

2. CROSSOVER CORRIDOR formed behind backdrop lit by 2 down lights: LEE FILTERS 079 BLUE (Theatre)

3. RISERS (Theatre)
            - Main Keyboards: 1.8m x 1.2m 0.45 high, 1 step
            - 2nd Drums: 2.0m x 2.0m x 0.3m high, 1 step
            - Backing Vocals 2.4m x 1.2m x 0.15m high

4. RISERS (Artist)
            - Horns risers overall 3.0m x 1.6m x 0.6m high (steps included)

5. DRUM SCREEN (Artist)
            - Round “Phil Drums” hardboard in stage holders held by 4 stage weights (Theatre)

 

Fire certificate of Artist Backdrop will be provided on request prior to show.

 

And Finally…Phil Collins
Technical Rider

Lighting Plot - Both Sides Tour 2012
Current as of 22 February 2012

Specials as stage plan:
1. Main “Phil” Vocal
2. Lead Guitar
3. Bass Guitar
4. Backing Vocals
5. “Phil” Keyboard
6. “Phil” Drums
7. 2nd Drums
8. Sax
9. Trumpet / Trombone
10. Shed Door
11. Main Keyboards
12. Congas

HAZE
FACILITY FOR GREEN STATE
FACILITY FOR BLUE STATE
FACILITY OFR RED/GOLD STATE
MOVING HEADS AS AVAILABLE

  

Please click on the link below to download a PDF version

 

FOR A FULL AND COMPLETE LIGHTING PLOT AND SET LIST, PLEASE CONTACT OUR SHOW MANAGER, CAROLINE AS ABOVE

 

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